This is very important for the development of an artist. Your publisher might say, “Your story has no value there’s only one dead guy - I need twenty or thirty dead guys for this to work.” But that is not true if the reader feels the dead guy or wounded guys or hurt guys or whomever you have in trouble have a real personality resulting from your own deep studies of human nature - with an artist’s capacity for such observation - emotions will surge.īy such studies you will develop and gain attention from others, as well as a compassion and a love for humanity. When a character dies in a story, unless the character has had his personal story expressed some way in the drawing of his face, body and attire, the reader will not care your reader won’t have any emotional connection. Such detail will provide your readers with recognizable characteristics that will pique their interest. It becomes a study of life.ĥ) When you create a story, you can begin it without knowing everything, but you should make notes as you go along regarding the particulars of the world depicted in your story. The body becomes transformed when it is brought to life there is a message in its structure, in the distribution of its fat, in each muscle and in every wrinkle, crease or fold of the face and body. Their physical gestures should seem to emanate from their character’s strengths, weaknesses and infirmities. Then, no one buys your comic!įor the reader to believe your story, your characters must feel as if they have a life and personality of their own. Your drawing of a woman, however, must be perfect a single ill-placed line can dramatically age her or make her seem annoying or ugly. With males, you can be looser and less precise in their depiction small imperfections can often add character. Its laws provide a good, positive way to manipulate or hypnotize your readers.Ĥ) Another thing to embrace with affection is the study of human body - it’s anatomy, positions, body types, expressions, construction, and the differences between people.ĭrawing a man is very different from drawing a woman. When you produce drawings that are too quick or too loose, besides making mistakes, you run the risk of creating an entity without soul or spirit.ģ) Knowledge of perspective is of supreme importance. Perfection and speed are dangerous - as are their opposites. But be very careful of trying to obtain too much perfection, as well as too much speed as an artist. Make it achieve a level of high obedience so that it will be able to properly and fully express your ideas. Stout’s thoughts on Moebius can be found here.ġ) When you draw, you must first cleanse yourself of deep feelings, like hate, happiness, ambition, etc.Ģ) It’s very important to educate your hand. Below are Moebius’ original observations. It should be required reading for anyone even vaguely interested in visual storytelling. They gush great ideas all day long like a fountain.Īll of Stout’s annotations are like this. For them, all creative barriers are down life and creative problem solving for them is like constantly playing. I have noticed with all the creative geniuses I have met that they all share a childlike delight with whatever or whomever they encounter in life (they can even find amusement in life’s villains). Solutions and ideas then flow with much greater ease. Until I spent time with Guy, I had no idea how many pre-conceived notions and assumptions I held within me regarding people and situations and what a block they were to the flow of my creativity.ĭivorcing yourself from such emotionally blinding pre-conceptions allows you to see things with fresh eyes. This was something I learned from drawing and hanging out with another Frenchman, the brilliant cartoonist-illustrator (and regular Atlantic Monthly contributor) Guy Billout, when we were traveling together in Antarctica and Patagonia back in 1989. These feelings are typically emotional prejudices that function as a block to creativity. For instance, Moebius’s first tip is “When you draw, you must first cleanse yourself of deep feelings, like hate, happiness, ambition, etc.”
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